My artistic practice explores coastal ecologies and interspecies relations through moving image, performance, and experimental analogue processes. Working in wetlands and tidal environments, I collaborate with environmental conditions, organisms, and scientific research to develop films, installations, and performances that reflect on adaptation and ecological change.

I approach making as a relational process shaped by material agency, chance, and collaboration. Through analogue film processes, field recordings, and hand-built and improvised instruments, I develop embodied methods in which the haptic, sonic, and environmental conditions of a place actively shape the work. Images and sounds emerge through encounters with specific sites, organisms, and materials.

Many of my projects develop through residencies and long-term engagements with particular locations, often in dialogue with scientists, ecologists, and local communities. Moving between scientific observation and poetic speculation, I create immersive situations that invite audiences to slow down, listen, and reconsider their position within ecological systems marked by vulnerability and change.